Sat, Feb. 9th, 2013 · Mercy Lounge · $10 adv | $12 DOS

Kopecky Family Band

with The Eastern Sea and Rayland Baxter

Sat, Feb. 9th, 2013

Kopecky Family Band

with The Eastern Sea and Rayland Baxter

$10 adv | $12 DOS
Doors: 8:00pm
Show: 9:00pm
Ages: 18+
Mercy Lounge

Sat, Feb. 9th, 2013

Mercy Lounge
Doors: 8:00pm
Show: 9:00pm
Ages: 18+
$10 adv | $12 DOS
Get Tickets


Kopecky Family Band

with The Eastern Sea and Rayland Baxter

Kopecky Family Band


→ Official Website

“Family” is a word that encompasses a variety of definitions. With that in mind, let this introduction to Kopecky Family Band be taken with an open mind and with a grain of salt. This family is connected not by blood or by heritage, but by circumstance. No, this is a family bound by the miles on their odometer and by the songs they have crafted over the years. These six young musicians have created a family through their commitment to each other and to their craft. Crack open your dictionary, if you need to.

the Kopecky Family Band – a non-traditional family, at that – is dynamic, and they wield an equally dynamic slew of instruments. Their thoughtful songwriting is supported by a diverse backdrop of sound. And the musical canvas is covered with broad brushstrokes – ranging from clanging tambourines and guitars, booming percussion, intelligent string arrangements, and triumphant horns. These six bandmates – siblings, if you will – swap their musical tools without a second thought, creating an emotive, adventurous, and energetic environment onstage.

In late 2007, founding members Kelsey Kopecky and Gabriel Simon became united with four friends who shared a mutual vision. They planted seeds that have been nurtured for the past five years through persistent touring and recording – and those seeds are rapidly reaching maturity. With thousands of miles traveled, and surely thousands to come, the Kopecky Family Band is only just beginning their adventure – and they want to bring you along for the ride.

The Eastern Sea


→ Official Website

 

At times, it’s easy for The Eastern Sea to forget that Austin, Texas is home. While the band’s roots are firmly planted in the Texas Hill Country, their dynamic prose-pop travels from location to location, effortlessly moving between distant settings and their own, still somehow foreign, neighborhoods.

Created in 2005 as the bedroom project of songwriter/vocalist Matthew Hines, The Eastern Sea quickly released a self-produced anthology Further Up, Further In, which showcased Hines’ folk and electronic roots. From ‘07-’09, the band added several new members and recorded what would eventually become The Eastern Sea, a self-released collection of two eponymous EPs. Songs such as “The Snow” and “The Name” attracted the band’s first national press and led to several festival appearances (SXSW, CMJ, FPH Summerfest) and a pair of national tours.

Starting in 2010, The Eastern Sea began work on their first official LP, Plague, a project that marked a major shift in methods for band. Instead of piecing tracks together with home production, the vast majority of Plague would be recorded live to tape by Matt Smith (Ola Podrida, Golden Bear) at HOTTRACKS!!! in Austin. Ultimately, these principle recordings were a swan song for the long-running East Austin studio, as the complex that housed HOTTRACKS!!! was condemned by the city only a month into production. The Eastern Sea was then forced to finish Plague in between temporary studios and homes across Central Texas.

Despite the numerous setbacks, the completed Plague (WhiteLabBlackLab), mastered by Jeff Lipton at Peerless Mastering (Bon Iver, Andrew Bird), represents The Eastern Sea’s most cohesive collection of songs to date. Musically, it combines the hypnotic rhythm of post-rock, the playful melodies of traditional American folk, and the dynamics of contemporary progressive indie-rock, a distinct evolution of the sound that appeared on The Eastern Sea’s self-titled release. While ornate percussion lies at the heart of Plague, the signature slow builds of poly-rhythm in songs such as “Wasn’t for Love” and “The Match” serve as a launch pad for melodic bass, shimmering keys, finger-picked electric guitar, and expressive trumpet. Lyrically, Hines’ boldly present vocals weave a revealing autobiographical narrative, developing themes of change, transition, and powerlessness over the course of twelve songs.

 

 

 

The Eastern Sea Abbreviated Bio

At times, it’s easy for The Eastern Sea to forget that Austin, Texas is home. While the band’s roots are firmly planted in the Texas Hill Country, their dynamic prose-pop travels from location to location, effortlessly moving between distant settings and their own, still somehow foreign, neighborhoods. Created in 2005 as the bedroom project of songwriter/vocalist Matthew Hines, The Eastern Sea quickly developed into a live band and released The Eastern Sea, a collection of two eponymous EPs, in 2008 and 2009 respectively. Songs such as “The Snow” and “The Name” attracted the band’s first national press and led to several festival appearances (SXSW, CMJ, FPH Summerfest) and a pair of national tours. 

Starting in 2010, The Eastern Sea began work on their first official LP, Plague (WhiteLabBlackLab), which was recorded to tape by Matt Smith (Ola Podrida, Golden Bear) at HOTTRACKS!!! in Austin. The completed Plague, mastered by Jeff Lipton at Peerless Mastering (Bon Iver, Andrew Bird), represents The Eastern Sea’s most cohesive collection of songs to date. Musically, it combines the hypnotic rhythm of post-rock, the playful melodies of traditional American folk, and the dynamics of contemporary progressive indie-rock. While ornate percussion lies at the heart of Plague, the signature slow builds of poly-rhythm in songs such as “Wasn’t for Love” and “The Match” serve as a launch pad for melodic bass, shimmering keys, finger-picked electric guitar, and expressive trumpet. Lyrically, Hines’ boldly present vocals weave a revealing autobiographical narrative, developing themes of change, transition, and powerlessness over the course of twelve songs.